Cristóbal Escobar | A Classic Never Dies: On Cinematic Intensity and the Contemporary
O primeiro seminário Film-Phil de Lisboa em 2025 estará a cargo de Cristóbal Escobar (Universidade de Melbourne e Festival Internacional de Cinema Documental de Santiago), que falará sobre “A Classic Never Dies: On Cinematic Intensity and the Contemporary”. A sessão Zoom será em inglês e terá lugar no dia 29 de janeiro de 2025, às 10h00 WET / 21h00 AEDT.
A série de seminários faz parte do projeto ERC “CINEMA E MORTE — A Filosofia do Cinema como uma Meditação sobre a Morte” (CineLab / IFILNOVA).
O seminário terá lugar exclusivamente online. Para receber mais informações sobre como participar na reunião online, é obrigatório registar-se aqui.
ABSTRACT
The dead linger and occasionally reappear as ghostly figures on screen. From their once-living past, they possess the ability to forge new relations in our present, which is a future that mattered to them. To achieve this, the dead require a “medium” that extends their existence, allowing their bodies to be felt once more. Such a medium must therefore traverse time and space, recollecting what has been buried in the past to renovate it into something new in the present. Etymologically, this is the essence of the word contemporaneous, from the Latin con [together with] plus tempor [time]. It suggests a temporal coexistence where past and future merge within the present—hence, a state of “being with” time, rather than a time divided into a “before” and “after”. In this sense, cinema functions as a time machine for the dead—a medium composed of crystalline, overlapping, and contemporaneous realities. This seminar will explore how cinematic intensity emerges through images that dissolve temporal and taxonomical boundaries, blending the classical-old with the modern-new in a continuous flow where filmmaking not only revitalizes itself but also resurrects the dead. As the saying goes, “A classic never dies”, and this persistence of a past into the present is what sustains the intensive-image and allows it to reemerge time and again throughout cinema’s history.
BIO
Cristóbal Escobar is a Lecturer in Screen Studies at the University of Melbourne and a Film Programmer at the Santiago International Documentary Film Festival (FIDOCS). His publications include “The Intensive-Image in Deleuze’s Film-Philosophy” (Edinburgh University Press, 2023), an edited collection on “Cine Cartográfico” (La Fuga Ediciones, 2017), and a forthcoming second volume with Barbara Creed on “Film and the Nonhuman” (University of Exeter Press, 2026).