Research unit: Centre for the Study of the Sociology and Aesthetics of Music (CESEM)

Training
YearDegreeAreaInstitution
  • A Case for Charpentier  
  • Authorship and Improvisation in Sixteenth- and Seventeenth-Century Keyboard Music  
  • Identifying concordances and musical inter-relationships using digital tools: Where to from here?  
  • Introduction  
  • Studies on Authorship in Historical Keyboard Music  
TitleFunding sourceStartState
Completed
PositionStartEnd