Teachers

Paula Gomes Ribeiro

:
Musical Sciences
:
Researcher

Contacts

:
pgr@fcsh.unl.pt

Teaching languages

French

Online pages

:

Scientific areas

  • Sociology of Music
  • Opera studies: dramaturgy, opera staging, visuality, reception
  • Music, image, technology
  • Opera and music theatre practices in Portugal from 1970
  • Music, representation, gender

Selected Publications (maximum of 5 references)

  • 2010 - “Dolly à l’opéra – médiatisations artistiques de la techno-réalité”, in Rio Novo, Isabel et Vieira, Célia (éd.), Inter Media. Études d’Intermédialité, Paris, L’Harmattan, 77-86.
  • 2010 - “No Laboratório dos Sentimentos : prática alquímica ou artifício da verdade: quadros da recepção actual de Così fan Tutte”, in David Cranmer (ed.), Mozart, Marcos Portugal e o seu tempo / and their time, Lisboa, Colibri/CESEM, 169-194.
  • 2009 - "The Value of transgression and disorder: Richard Strauss under the perspective of Adorno’s theory of music", in Mário Vieira de Carvalho (ed.), Expression, Truth and Authenticity: On Adorno’s Theory of Music and Musical Performance, Lisboa, Colibri/CESEM, 145-158.
  • 2008 - “Problématique de la construction de l'identité du personnage en face d'une réalité sociale, dans l'opéra contemporain”, in Giordano Ferrari (ed.), La parole sur scène: voix, texte, signifié, DMCE, Paris, Harmattan, 151-166.
  • 2002 (livro) - Hystérie et Mise en Abîme: le drame lyrique au début du XXème siècle, Paris: L’Harmattan.

Academic training

Year Degree Area Institution Grade
2000
Doctor
Musicology
Université de Paris VIII
Très Honorable à L'Unanimité
1995
Master
Musicology
Université de Paris VIII
Très Bien à l'Unanimité
1990
Graduate
Musicology
Universidade Nova de Lisboa
Bom

Relevant Professional Experience (maximum of 5 references)

  • Research Fellow, Universidade Nova de Lisboa (CESEM), from 2009
  • Invited Auxiliary Professor, UNL, Department of Music Sciences, 2005-2009
  • Auxiliary Professor and Scientific Coordinator, Master and Graduate dregrees ISEIT, 2001-2009
  • Responsible for the Opera Studio of the National Conservatory (EMCN), Lisbon, 2004-2008
  • Collaborator for the writing of musicological and critical essays at the Lisbon press and Teatro Nacional de S. Carlos, Fundação Calouste Gulbenkian, etc.

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