International Conference on Photography & Cinema
| Quando |
2012-11-27 09:45 até 2012-11-28 20:00 |
|---|---|
| Onde | FCSH - Torre B - Auditório 1 |
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Fifty years have passed since Chris Marker’s “La Jetée” (1962) release blurred the frontiers between photography and film. This anniversary will be the occasion to promote a two-day forum of debate on photography and film’s mutual influence, as well as on the prevailing themes brought about by Chris Marker’s work (memory and image, trauma, image and narrative). Theorizing photography and film (ontologies, histories) has been a core issue since digital revolution and scholars have, in recent years, produced a substancial and fascinating criticism on the relation between the two media (e.g. Doane, Raymond Bellour, Rancière, Laura Mulvey, James Elkins gave significant contributions to this debate).
Dia 27
09:45 — Image, Time and Duration
Ana Barroso — Kiss the Past Hello: a foreword and
an afterword to Larry Clark’s cinema
Diana Soeiro — Philosophy of Space: On Perceptual Continuity and Discontinuity
Luiz Carlos Oliveira — The phantom-image:
photography and memory in Unas fotos en la ciudad
de Sylvia of José Luis Guerín
Eben Wood (Chair)
11:45 — Theorizing La Jetée
Fabio Zanoni — Chris Marker and the hybrid identities
Joana Bicacro — An interval between movements: frame, stasis and duration in La Jetée
Ana Cabral Martins — Theorizing La Jetée and
12 Monkeys, but also Vertigo
Spring Ulmer (Chair)
15:00 — Rethinking Chris Marker’s Work
Inês Gil — Marker and the mystic lyrism of Tarkovski
in Une Journée d’Andreï Arsenevitch
Susana Martins — Chris Marker and the photo-filmic dimension of travel books: the case of Petite Planète
Francisco Maia Henriques — The Ocean Bullfight: Chris Marker’s commentary on Les Hommes
de la Baleine
Susana Lourenço Marques (Chair)
16:30 — Screening:
Les Hommes de la Baleine (1956)
Mario Ruspoli
17:30 — Keynote Speaker
Philippe Dubois (Université Sorbonne - Paris III)
La Jetée de Chris Marker ou le cinématogramme
de la conscience
Margarida Medeiros (Chair)
Dia 28
9:30 — Relating ontologies of film and photography
Luís Mendonça — Written black and white images: James Agee and the childhood of modern cinema
Temenuga Trifonova — Cinematic Photography
Irene Aparício — Statues also die: where do memories come from?
Teresa Mendes Flores (Chair)
11:30 — Memory, film and photography
Miguel Mesquita Duarte — Images, Itineraries,
Geographies. Considerations on memory from
Chris Marker’s La Jetée
Catarina Mourão — Ghosts in the House of Gávea:
Daydreaming and forgetting in Santiago, a feature
documentary by João Moreira Salles
Emi Koide — Time travel, image and memory
in Chris Marker’s work
Nuno Crespo (Chair)
14:30 — Image, trauma and terror
Maria João Baltazar — A imagem traumática
do novo documentalismo fotográfico
Eben Wood — Letters from a Far-Off Country:
Coréenes, La Jetée, and the Frames of War
Kierran Horner — Absurd Algeria: Between photography and film (the leap of the absurd hero) in La Jetée
Spring Ulmer — Can good come of the visual poetry of torture in Chris Marker’s La Jetée and W. G. Sebald’s The Rings of Saturn?
Sérgio Mah (Chair)
16:45 — Archive Images
Eduarda Neves — Digging the Archive: On Self-Portrait, Cinema and Photography
Emília Tavares — The Imprisoned Images
Monika Kesha — Figures in Movement. Francis Bacon and Eadweard Muybridge in Film
Luís Mendonça (Chair)
18:30 — Keynote Speaker
David Campany (University of Westminster)
La Jetée and Cinema on Paper
Joana Cunha Leal (Chair)
